The virtual sphere has started to permeate our daily lives with its seamless and agentless structure just as “locative art” marks reality in William Gibson’s Spook Country, prompting a character to say that cyberspace – the author’s very same brainchild of some years earlier – is turning inside out.[1] As surrounded as we are of a thick mist of thoughts and ideas broadcast by voices that are nodes like us on the very same net, questions arise on how is power in the multilayered digital space constructed.